workshops

Why Is That So Funny?: Exploring Physical Comedy

see more

Writing for Performance (NSDF19)

see more

Writing Rotterdam

see more

What does a Literary Manager do? (Q and A)

see more

Turning an Idea into a Play

see more

The Right Speaker the Right Place

see more

Theatre and the Community

see more

The Principles of Arts Marketing

see more

The Importance of Design

see more

The Director and the Actor Process

see more

The Core Question: Acting Workshops

see more

Text Analysis (NSDF19)

see more

The Art of Budgeting

see more

The Colour of Light

see more

Starting Your Own Company: how to make work and get off the ground

see more

Starting points for Physical Improvisation

see more

Starting Out

see more

Starting Out as a Director and/or Assistant Director

see more

Staging Space

see more

Source to Performance

see more

Sound Design and Storytelling

see more

Solo Work

see more

Sketch and Character Comedy

see more

Simon Stephens in Conversation

see more

Shake up your speech: Contemporary Monologues

see more

Shake up your speech: Classical Monologues

see more

Running a Pay What You Decide Venue, Running a mouthy theatre company, Running a Cultural Community College and Doing it All at Once

see more

Re-drafting & Interrogating New Work

see more

Rapping & Re-writing Shakespeare

see more

Pursuing a career in sound in theatre

see more

Producing work in non-theatre spaces

see more

Practical analysis- working with text

see more

Post Graduate Diploma in Theatre Production

see more

Playing with form - Playwriting workshop

see more

Playful Devising and creative access?

see more

Phonetics, RP and dialects

see more

Sound 101 (NSDF19)

see more

On the road with Paines Plough

see more

New Plays VS Old Plays

see more

Moving on in Stage Manager

see more

Movement Directing and New Musicals

see more

QLab for Theatre

see more

Material Generator: how to make something from nothing

see more

Male ally-ship in the Arts post #MeToo

see more

Making work with the Community

see more

Making Verbatim Theatre

see more

Lighting Pre-visualisation with wysiwyg

see more

Making People's Theatre

see more

Lawyer Up: Theatre on Trial

see more

Shaping Sound

see more

Video Mapping for Live Performance

see more

Introduction to Lighting Design

see more

James Phillips and Alan Lane: our lives in the vicinity of theatre

see more

Introduction to Gig Theatre!

see more

Introduction to Gig Theatre 2!

see more

Introduction to Film Making

see more

INALA Movement Workshop

see more

In Conversation with Timberlake Wertenbaker

see more

Improvising Shakespeare

see more

Impro is easy and anyone can do it

see more

Immersive Theatre I: Sensory Storytelling

see more

Immersive Theatre II: The Playing Audience

see more

How to write the Climate

see more

How to make a short film

see more

How to get your first job in Theatre Producing

see more

How to be Erotic (NSDF19)

see more

How to be a Working Warrior Actor in the 21st Century

see more

Harriet Walter in Conversation with James Phillips

see more

Getting Your Own Work Off the Ground

see more

Fuck, That's Dangerous!

see more

Finding the Comic Hero

see more

Expressive Movement

see more

Exploring 'The Jungle'

see more

Everything you want to know about the difference between Subsidised and Commercial/West End theatre

see more

Everything is fucked so let's make some theatre

see more

Doodles and obscure film references - Developing a visual dialogue.

see more

Devising Movement scenes

see more

Designing Theatre Buildings (NSDF19)

see more

Combining text and movement

see more

Collaborative Writing

see more

Casting: What is a Casting Director and how can they help me?

see more

Being in a Gang: Making Work as an Ensemble

see more

Being An Assistant Director

see more

Being a theatre critic & the art and craft of critical writing

see more

Audition Monologue Technique

see more

Ask a stupid question, technical forum

see more

Arts Council Funding

see more

Audition Technique and How to Survive the Self Tape

see more

An introduction to Passing Through - movement for everyone

see more

Acting Without Bullshit: What can mask work teach us about acting?

see more

Acting for Camera (NSDF19)

see more

A Rigging Workshop

see more

Producing New Work the Fuel Way

see more

Knowing your Rights

see more

Encouraging and Supporting Women in Technical Theatre

see more